МОИ ПРОЕКТЫ
V.O.I.D. PROJECT STATEMENT
V.O.I.D. (Visual Ontology of Invisible Dimensions) is an ongoing artistic project exploring artworks as bi-directional gateways between layers of reality. The works emerge from altered states of consciousness and operate simultaneously as traces of lived experience and as active perceptual interfaces — sites capable of initiating a transition for the viewer while allowing non-human presences from other configurations of reality to become perceptible.
The project is grounded in the understanding that consciousness is not confined to a single mode of perception, and that what is commonly experienced as reality represents only one stabilized layer within a multi-layered structure of reality. Through lucid dreaming, trance-based states, and encounters with anomalous environments, perception moves beyond habitual organization and becomes capable of navigating across layers.
Within these altered perceptual conditions, contact occurs with non-human presences — autonomous forms of being that do not conform to anthropocentric or linear models of reality. These encounters are not approached as symbolic content or imagined narratives, but as experiential events. They actively shape the structure of the work. Each artwork arises as a stabilized threshold — a form capable of holding, transmitting, and reactivating the conditions of contact.
The works of VOID function as reciprocal interfaces. They operate not only as passages through which human perception may move beyond familiar perceptual layers, but also as sites through which presences from other configurations of being can become experientially available. In this sense, the artwork is not a passive object but an active membrane through which perception and presence circulate in both directions.
Within the project, ritual operates as a method of transition rather than as a cultural reference. It functions as a means of reorganizing perception through trance-based processes. The artwork itself becomes a ritual object — a site where transition can be initiated, sustained, and shared.
VOID remains an open and evolving structure. New layers, forms of presence, and modes of crossing may emerge as the project develops. The project proposes art not as depiction, but as a functional interface — a living passage through which contact between layers of reality becomes possible.
PORTAL: PROJECT STATEMENT
PORTAL is an artistic project centered on paintings as functional sites of encounter with specific non-human spirits operating within other layers of reality.
The works are created in altered states of consciousness, during direct contact with these layers. They are not representations or symbolic images, but material artifacts of actual encounters — traces brought back from experiences beyond the familiar structure of reality.
Each painting functions as a two-way site of encounter. It allows the viewer to approach a specific non-human presence, while simultaneously providing that presence with a point of manifestation within the human perceptual field. In this sense, the works do not depict spirits — they hold the conditions under which contact becomes possible.
PORTAL treats painting as an interface rather than an object. The act of painting becomes a mode of contact, and the finished work retains the intensity and structure of that encounter. These works are not neutral images, but active points of interaction, where attention, perception, and presence converge.
While the VOID project prepares perception for the possibility of contact by destabilizing habitual structures of reality, PORTAL presents the artifacts of that contact — paintings that function as meeting points between the human world and specific non-human spirits.
NOWHERE: PROJECT STATEMENT
Children of the 21st century, lulled by the hum of megacities, are accustomed to thinking that the destiny of homo sapiens is to isolate themselves from the aggressive world of nature, subjugate it and use it as a resource. In my opinion, the imposed nativeness of the urban world is illusory and destructive for humans. In the NOWHERE project, road signs — a symbol of urban infrastructure — and natural melancholic landscapes come into contact. In contrast, new meanings of familiar objects are born, and at the same time an awareness of the fragility of the plastic world
MIRROR
Mirror is a photographic project exploring the mirror as an autonomous object placed within a natural environment. The mirror does not show the world — it interferes with it. It creates zones of tension, distortion, and visual uncertainty without engaging in direct play with reflection. These works are constructed as still lifes within nature — staged, yet exposed to the influence of natural forces such as water movement, light diffusion, and environmental instability. The mirror does not reproduce reality, but becomes a part of it. The project explores the boundary between geometry and organic matter, as well as how perception changes at the point where they come into contact.
